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homage to J. Cornell by Christopher Mulrooney what you look at or into from the very momentary beginnings at the old house peaceably refined bearing the scars of it all breasting the waves like a Liberty ship viewed by Seurat it is a clean ship departing from the lights whether or not you care for it the spiritual reality it is a standard organism the ostensible enigmas a salesman's carryall you can forget it as if it were by Billy Harnett the assiduous composer the implacable objects in the town at peace the town you work in "after what flourish your nature will" whither are we going Master where all have we been you all will remember from the very beginning tall with skyscrapers the city thrusting from its roots to the very far limits of all our portfolios where you go very far and wind up right here as played ! by Ian Wolfe in shirt and sweater I have written to you all these very things the sleight of hand the target practice the isolated theme spots the remarkable effluvia the OK standard panjandrums of very misery and the audiences thereof where had we all even started where had we all to end up asking our several questions of a princeling the pharmacopúia of all desires in the silken toolbox where you go hard hunting with a bleak escapade you can actually fight this woe-burn at home in the Pink Palace you can not admit it you can hear the music the silent music silvery the loud music or the plaque on which Richard Wagner appears at his hotel in Paris the opening of the world the serene Chardin the capacity of portraits do. do. the sea as applied to all techniques and for that matter all astronomy where you can stay in the mind as long as necessary ! or as wished to the end of time or the beginning of time or anywhere in between as you can understand these things back and forth from the beginning of times to the very last of things descried the ones you had dreamed of I had not thought of it before let me assure you the sculptures of all the gallery the sylvan mementoes how can you spectacular imagine a better architecture a better self-portrait or family history you can guess at it somehow or other ("the flies of the past") what if you were projected onto a scrim of the Globe Theatre anywhere you will absolutely anywhere at all the bric-a-brac and memorabilia that suggests a calm úuvre you can't remember how hard we try whatever it is a calm self-parody say the critics a more spectacular thing the rest of it rack it up set it up settle it mix it up all in a box it settles right where yo! u want it right in a glass as accurate in a thing as any could wish in a technical sense the sparkling movie stars the trapeze artists the musicologists the Jews of a surrealist outlook the vertical of all buildings with the incanted statements of fiction where haven't we been just looking at things over and over all again from the very first to last things eminently composed as friction sidereally arranged as a diabolo in a quiet neighborhood the place where you live the place where you all live here or hereabouts looked at sincerely as sincerely as you can in these circumstances in these very sincere circumstances these hopeless conditions the absence of position the balk of sight our world and its environs last train out last train in and out the one you will remember the last of all these things whatever we have all seen |
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Copyright © 2002 Nuvein Magazine. |
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